Well, it has been a good six weeks since our earlier (Graham Linehan-approved) update of our personal Top 100 Comedy Albums on Spotify, so it’s time for a follow-up. Even though it was actually more of a “Top 114”, but then that’s just the way we roll, baby. If the sequel we’re preparing actually ends up as a “Top 86”, then the equilibrium will be restored, and nobody can really complain. Hopefully, anyway. Anyway, here’s a sort of “preview” for that, taking in the following brand new digital object….
“Wait a minute, wait in minute, I’m in charge!”
An interesting yet curious find. A compilation which might possibly be a recording of a finely-honed radio variety show of the 1960s, but which we strongly suspect is an edited selection of various live recordings, interlinked by Bruce Forsyth from years ago. And by “strongly suspect” we mean, “unless we’re completely stupid” as the telltale fading up of the “studio” “audience” does rather give the game away.
Now, this possibly doesn’t really qualify as “comedy”, but it’s the inter-song banter from future-Sir, surely-Bruce that makes the whole affair worthy of inclusion (“Now, our next guest has been working with me this past season in pantomime, Val Parnell’s Sleeping Beauty at the London Palladium. Ladies and gentleman, my pal, Edmond Hockridge [cut to a recording clearly recorded from elsewhere of Edmond Hockridge]”). Just where has this recording come from? A light programme off-air from the early 1960s? Surely not, as the banter at the end of track six reveals it’s from a vinyl recording (“now, don’t go away, there’s a lot more to come on the other side. That was the end of part one, no commercials, just turn over quick!”). Tellingly, none of the artists mention the presence of Bruce at all, save for a cleverly re-recorded bit of banter with Petula Clark.
Basically, we suspect this to be a digital-remastered recording of highlights from Sunday Night at the London Palladium, only with fresh-at-the-time introductions tacked on from Brucie, all gleaned from aged LP recordings. Oddly, the artwork – a hugely half-arsed job using a single Photoshop filter* and some freeware typefaces – is clearly modern, and both the Spotify and eMusic release dates suggest this release was only shoved out recently (going by the eMusic release date, on the 6th of October 2009, in fact). All quite strange – anyone know any more? Surely this is from a much-earlier vinyl recording? Could it be something that was recorded but not released at the time? Anyone?
(*And really, it’s very half-arsed. That’s not even Bruce on the artwork, is it? And we’ve had our half-arsed microscopic-indie-label cover art printed in the NME before now, even that was better than the thumbnail up there.)
Brucie? “I lived in a town once… but they moved!”
Ha. Anyway, keep your lug-holes peeled (not to mention peepers, unless you’re blind, in which case we feel all uncomfortable now) for the remainder of our new list, due over the next few days. There’ll be at least one absolute gem on there that you don’t already know about.
Well, only if you’re not already following our Twitter feed (or more pertinently, the Twitter feed of the mighty Sweeping The Nation, as they’d pointed us towards it). Whatever, come back soon, same Bat-time, same Bat-channel.